Louis Simonneu, master alphabets for the Romain du Roi – Savvy Essay Writers | savvyessaywriters.net

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Louis Simonneu, master alphabets for the Romain du Roi – Savvy Essay Writers | savvyessaywriters.net

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Louis Simonneu, master alphabets for the Romain du Roi, 1695

  • Pierre Fournier le Jeune, title page for Ariette, mise en music (Short Aria, Set to Music), 1756
  • Pierre Fournier le Jeune, pages from Manuel Typographique
  • George Bickman the Elder, title page for The Universal Penman
  • William Caslon, broadside type specimen
  • John Baskerville, title page for Vergil’s Bucolica, Georgica, et Aeneis (Pastorals, Georgics, and the Aenid), 1757
  • William Playfair, Chart no. 1 from A Letter on Our Agricultural Distresses, 1822
  • William Playfair, Chart no. 3 from A Letter on Our Agricultural Distresses, 1822
  • Louis René Luce (designer) and Jean Joseph Barbou (printer), ornaments page from Essai d’une nouvelle typographie, 1771
  • Giambattista Bodoni, page from Manuel tipografico, 1818
  • Pierre Didot, title page for Vergil’s Bucolica, Georgica, et Aeneis (Pastorals, Georgics, and the Aenid),1798
  • William Blake, title page from The Book of Thel, 1789
  • William Caslon and William Caslon II, title page from A Specimen of Printing Types, 1764
  • Robert Thorne, fat-face types, 1821
  • Vincent Figgins, two-lines pica, Antique, c. 1815
  • Vincent Figgins, sixteen-lines pica, Antique, 1840
  • Robert Thorne, Egyptian type designs, 1821
  • Henry Caslon, Ionic type specimen, mid-1840s
  • Tuscan styles with ornamental serifs, early 1800s
  • Vincent Figgins, five lines pica, In Shade, 1815
  • Johann Heinrich Meyer foundry in Braunschweig, Germany, decorative three-dimensional fonts, 1835
  • William Thorowgood, six-line Reversed Egyptian Italic, 1828
  • William Caslon IV, two-line English Egyptian, 1816
  • Vincent Figgins, two-line Great Primer Sans-serif, 1932
  • Handbill for excursion train, 1876
  • Joseph Niépce, photoetching of Cardinal Georges D’Amboise, c. 1827
  • Joseph Niépce, first photograph from nature, 1826
  • Louis Jacques Daguerre, Paris boulevard daguerreotype, 1839
  • William Henry Fox Talbot, camera-less shadow picture of flowers, 1839
  • William Henry Fox Talbot, picture from first photographic negative
  • Advertisement for the Kodak camera, c. 1889
  • Attributed to Matthew Brady, photograph, “The Freedmen on the Canal Bank at Richmond”, 1865
  • John Macdonald, wood engraving, Freedmen on the Canal Bank at Richmond
  • F.T. Nader, “Sarah Bernhardt”, 1859
  • Paul Nader, “Nadar Interviewing Chevreul”, 1886
  • Matthew Brady, Dunker Church and the Dead, 1862
  • Eadweard Muybridge, plate published in The Horse in Motion, 1883
  • Title page for The Pencil of Nature, 1844
  • Owen Jones, color plate from The Grammar of Ornament, 1856
  • S.S. Frizzall (artist) J.H. Bufford’s Sons (printers), poster for the Cleveland and Hendricks presidential campaign, 1884
  • Louis Prang, Valentine card, 1883
  • Krebs Lithography Company, poster for the Cincinnati Industrial Exposition, 1883
  • Forst, Averell & Co., poster for the Hoe printing press, 1870
  • The Riverside Print Company of Milwaukee, poster for C.W. Parker Company’s Carry-Us-All portable carousels, undated
  • Package designs chromolithographed on tin for food and tobacco products
  • Morris Pére et Fils (letterpress printers) and Emile Levy (lithographer), Cirque d’hiver poster, 1871
  • Walter Crane, page from Absurd ABC, 1874
  • Richard G. Tietze, poster for Harper’s Magazine, 1883
  • After A.H. Wall, cover for Harper’s Weekly, 1864
  • Thomas Nast, political cartoon from Harper’s Weekly, 1871
  • Charles Dana Gibson, poster for Scribner’s, 1895
  • Herman Ihlenburg, typeface designs
  • John F. Cumming, typeface designs
  • Trademark for Moss Engraving Company, 1872

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